Australia
The Australian government promises to provide millions of technical support, and warns the industry immediately of a “deadline” | Instant news
Brisbane – The Australian live music sector faces a tough and harsh winter, and the national government is saving lives. On Thursday, April 9, Minister of Communications, Cyber Safety and the Arts, MP John Paul Fletcher pledged A $ 27 million in emergency funding for the arts, and the money targeted three specific and “vulnerable” areas.
Of this amount, a $ 10 million financing package will be provided that supports the Support Act, an organization that provides assistance to artists, musicians, crew, and others working in the industry, many of whom are affected by the COVID-19 lock.
“It will enable us to ensure that the support law can provide short-term financial support to artists, crew crews, and music workers who fall for any reason and cannot access government benefits,” commented Clive Miller, chief law enforcement chief – and those supporting the additional law. Wounded, sick or suffering from mental health problems that prevent them from working.
After funding commitments to the federal government, the Support Law Board met to create an industrial money management task force. Miller explained that the first immediate step is to expand access to his help channel to all members of the arts sector.
A further $ 10 million in government funds will be allocated to artists and regional organizations to help develop new works and explore new delivery models, and the rest will benefit from the original art programs.
Fletcher announced the financing, that after recovering from the fire season, the live show industry had closed and canceled the show.
He said, “The Charitable Support Law will receive funding to increase the exceptional work that provides crisis assistance to artists, aircraft crews, and art workers in the arts sector who have been affected by the cancellation of performances and shows throughout the country.” “We have chosen to support the support law, and I hope others will think to contribute to this worthy goal – if they can – to help expand the important work that they do more.”
The pain is real for the living sector. According to ilostmygig.net.au, a service set up to track the impact of the COVID-19 shutdown and forest fires, Australian artists have lost more than A $ 330 million due to cancellations and postponement of the live event.
ARIA, APRA AMCOS, and Live Performance Australia welcomed the government’s funding commitment. Although the multi-billion dollar sector is in deep freeze, the money will not be far enough.
Evelyn Richardson, chief executive of LPA, warned that the live industry would need “more and more” in the form of direct assistance from all levels of government if it wanted to survive.
All concerts, festivals and bars across the country were closed after the government imposed strict measures to control the outbreak of the coronavirus. Richardson noted that the ban on public meetings was important to slow the spread of the disease, “but they stopped our industry from dying on its path.”
Commercial radio is also struggling with advertising dollars shrinking in these unknown times. The commercial authority of the sector, Australian Trade Radio, called on Thursday for government assistance.
CRA CEO Joan Warner said in a statement that the Australian government “can provide much needed assistance and certainty by loosening regulatory restrictions and the heavy compliance burden on local radio.”
Warner said the full impact of the epidemic on the radio industry is not expected to be seen until advertising revenue figures are published in June.
LPA welcomed the announcement of a $ 10 million aid package from Federal Government SupportAct that provides vital crisis support and support to our creative industry workers. We encourage all eligible artists, musicians, and musicians to register for these benefits as soon as possible. https://t.co/Hl2X9U7O8M
Aus (LivePerfAust) April 9, 2020
Richardson LPA and the wider arts industry have pressured the government since the outbreak of the disease. A $ 650 million bailout plan was presented, but the response failed.
Richardson noted that “the government still does not understand the scale of the damage to the world-class $ 4 billion live show industry.”
“We were the first to be affected and we will be the last to come out. We are ready to work with the government now and during the recovery. Additional targeted steps are needed and the” reversion “plan will be vital.”
He insisted that there was much to do and “time is running out.”
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