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Films from Amsterdam to Star Actors of Glass Onion

Films from Amsterdam to Star Actors of Glass Onion

 


On a recent Sunday night, I found myself at the premiere of amsterdam, a film for which the starry word is too modest. Having avoided the trailers until now, I didn’t realize what was in store for me until director David O. Russell appeared on stage to introduce the film and some of the cast. At these events, the most minor actors are usually introduced first. Please welcome… Timothy Olyphant! Russell said. Dressed in cowboy boots, a scarf and a casual hat, Olyphant jumped onto the stage.

Well, if that was the more minor character, then I was in for something.

Russell continued to bring in the cast. Andrea Riseborough. Michael Shannon. Mike Myers. Rami Malek. Robert de Niro. (De Niro, and they still aren’t done!) Margot Robbie floated onstage in a lacy white dress, followed by John David Washington and, finally, Christian Bale.

Wow! I thought. That’s the whole cast!

Then the movie started and I realized, quickly, it was just a fraction. Alessandro Nivola is in this film. Chris Rock appears a few times. Matthias Schoenaerts comes and goes, as does Zoe Saldana. Anya Taylor-Joy introduces herself. For the love of Petes, Taylor Swift is in this movie.

The trio, in period costume, walk down a hallway.

Christian Bale, Margot Robbie and John David Washington are the leads of amsterdambut they’re only a fraction of the truly star-studded cast.
20th century workshops

So far, I haven’t told you anything about the movie other than its cast. But whatever. Some time ago, studios realized they could create marketing buzz, virtually free of charge, by simply leaking casting news to the press. It doesn’t even have to be precise; just pick it up, reminding potential ticket buyers that the upcoming movie project exists. In an era dominated by existing IP movies, from comic book universes to reboots of characters you’ve always loved, the excitement of seeing a new actor in a familiar role is enough to generate a headline. Or at least a tweet.

This sense of worlds colliding has begun to extend beyond IP movies and into original fare, as long as fans can still experience the thrill of seeing all their famous friends in one place. It has little to do with the actual quality of the film; a lot of great actors have been in abysmal movies. (Remember the tricked-out cast, led by Michael Fassbender, of The Snowman?)

And amsterdam is pretty good, in part because these actors enjoy letting off steam for a period. It’s the story of three friends (Bale, Washington and Robbie) who met in the aftermath of World War I in, yes, Amsterdam and formed a friendship that was shattered when they all left town. Twelve years later, the tide of fascism rises again in Europe and the trio find themselves unexpectedly reunited, thrust into the midst of a global historical conspiracy. (Much of this really happened, the films’ opening titles proclaim.)

amsterdamthe beats never quite freeze, thanks in part to a misguided flashback structure. But it’s lush and smart and vaguely relevant to our own titles, and overall a good time in the movies.

Still, it clearly draws most of its appeal from familiar faces appearing on screen, like quite a few other movies this year. The next Glass onion: a mystery at loggerheads is a blast in itself, as expected, but it wouldn’t be half as expected if it didn’t have so many personalities (Edward Norton, Janelle Monae, Kathryn Hahn, Kate Hudson, Leslie Odom Jr., Dave Bautista, Jessica Henwick and, of course, Daniel Craig). This is part of the legacy of some detective novels; it was picked up in the much less fun See how they work earlier this year (Saoirse Ronan, Sam Rockwell, Harris Dickinson, Adrien Brody, Ruth Wilson, Shirley Henderson, David Oyelowo, Sian Clifford, I could go on).

The full cast of Glass Onion: A Knives Out Mystery seated at a long table.

The cast of Glass onion: a mystery at loggerheads.
netflix

High-speed trainThe huge appeal was partly due to its formula, but mostly due to its cast (Brad Pitt, Bad Bunny, Aaron Taylor-Johnson, Joey King, Logan Lerman, Brian Tyree Henry, Zazie Beetz, Michael Shannon and a bunch of fun cameos which I will not do). spoil). I have not seen it yet Babylonof La La Land director Damien Chazelle, but in December hit theaters and see Pitt, Robbie, Jean Smart, Olivia Wilde, Samara Weaving, Max Minghella, Tobey Maguire, Katherine Waterston, Spike Jonze, Jeff Garlin and a bunch of other actors swim the decadent waters of Hollywood’s early decades. And next year, Christopher Nolans Oppenheimer has such a stuffed cast that I can’t even name them all here.

The distribution effect of thousands of people has even spilled over into television. Recently, the massive, long-lasting Law and order franchise sparked a three-hour crossover event combining characters and storylines from Law and order, Law and Order: SVUand Law and order: organized crime. Talk about a big cast.

It’s not that mega-star movies haven’t popped up in Hollywood before; take all the iterations of the different oceans movies, for example. Robert Altman’s films, like Nashville, Shortcuts, and Gosford Park, often employed massive casts; his protege Paul Thomas Anderson likes to do the same in movies like Boogie Nights, Magnoliaand Licorice Pizza. The last few years have seen anthology films like The French Dispatch or the films with multiple intertwined stories launched by love in fact. Throw a stone into movie history and you’ll hit a big cast list.

Yet this year, it seemed particularly important. Part of this, no doubt, is due to practical reasons. With a huge cast, each actor usually takes up less screen time. With the Covid protocols in place, it might seem counter-intuitive that a big main cast could be easier to manage, but actors often only show up for a few days to shoot their scenes and then they can leave, which could in theory reduce the risk of any actor breaking out of the bubble and contracting Covid-19. (And if they do, it might be easier to change the schedule and not lose days.)

It’s handy for actors too, even without Covid in mind. Shooting for a few days or weeks is easier than committing to shooting for several months, and it frees up the schedule to resume other work.

For the audience, the effect is more than just fun. You get the sense, watch a movie like amsterdam, that all this world is familiar to you. You belong there because you know these people. It’s comforting, soothing, fun to watch and re-watch. You know, coming in, you’re in good hands.

But I can’t get rid of the idea that the plethora of thousands of movies right now is the effect of a gargantuan cause and effect relationship. And I think the cause is Avengers: Endgame.

Remember, this was the ultimate crossover event, where all the stars you’ve been watching in the great big MCU cycle for decades were finally in a movie together. Perhaps you remember or were part of the cheers this increased when all the characters finally showed up on the battlefield together. Now, even those who weren’t stars when they entered the MCU were surrounded by their own megawattage. The effect was electrifying.

And that translated into dollars, which matters in Hollywood. Avengers: Endgame is still the second highest-grossing film of all time (the first is Avatar). It’s a gold standard for blockbusters. In Hollywood, anything that makes money breeds imitations. So you can imagine that even directors making original films manage to get studios to light them up by suggesting a high-profile cast.

A complete bawdy celebratory image of Babylon.

And then there is Babylon, released in December.
Paramount Pictures

Is the phenomenon bad? Not really. I like to watch Knives out as much as the next person. But you have to wonder if it’s harder for new stars to rise through the ranks when even minor supporting roles are filled by familiar faces. Many of today’s stars are character actors at heart, and they’re good at the roles. But the feeling of discovering a new face becomes harder and harder.

All of this can’t diminish the fun of watching Taylor Swift strut across the screen in amsterdamor Kathryn Hahn smirks Glass Onion. Movies, after all, have long been about stars. Now more than ever.

amsterdam hits theaters October 7. Glass onion: a mystery at loggerheads opens in select theaters in November and on Netflix on December 23.

Sources

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2/ https://www.vox.com/culture/23378644/cast-amsterdam-glass-onion-babylon-oppenheimer

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