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Foreign comedies Hollywood won’t stop trying to remake

Foreign comedies Hollywood won’t stop trying to remake

 


For every successful American version of a foreign comedy (seeOffice), there’s a series of dead remakes in its wake that are so terrible and off-putting that those involved would like everyone to forget about them. Thatthat’s a big ask, though, since Hollywood can justDon’t stop trying your hand at the same popular foreign IP address because sometimes learning is hard, especially when you’re distracted by daydreams of plunging into piles of money a la Scrooge McDuck if things go well.

Of course II’m not saying that Hollywood should never attempt to remake a foreign comedy (even if the United States has more than enough talent to create original stories). But the overall choice of titles is confusing at best and desperately far-fetched at worst. The problem isOn the premises, most of them could work in an American setting, but the foreign humor embedded in the original seems to turn into gibberish when run through the American Funny machine. Be that as it may, this is certain: itis not for lack of trying.

Taxi,
France

Although it is a 1990s film and thereforegrow old like a french cinemaTaxiremains a classic comedy filled with witty humor, entertaining car chases, and a dripping disdain for anyone wearing a police badge. Heis stupid, over the top and has more car crashes than a Michael Bay movie.

One of the biggest and most glaring differences between the French film and its American remake starring Queen Latifah and, for some inexplicable reason, Jimmy Fallon, is the cop angle. While the original goes to great lengths to show the stupidity of the French police, who repeatedly try (and fail) to catch a group of German bank robbers, the American version probably has none of that. because criticizing American cops is seen by many as an affront to God. Too bad, really, because so many originalThe comedy revolves around police incompetence and the cops giving each other ridiculous code names like VSougars and gRas snakes.

Instead, the remake mostly shows cops ogling villainous model Gisele Bndchen and her gang because this movieThe main goal is to show you how sexy these women are.

Listen, I don’tI don’t mind changing genders in this film, but sadly our villains were apparently only changed to female to satisfy the male gaze. I also putDon’t forget that the remake decided to put Queen Latifah, whois by far the best thing about this movie, in the pilots seat. But heIt’s super lame that we immediately hear his boss say to him in the first scene: Youi am the best mannever had.

While the French film played on the sensibilities of Franco-German relations, the American version made their villains Portuguese becauseit is also alanguage spoken by Bndchen, I guess. Oh, and Fallon tries to arrest some drug dealers in his opening sequence while pretending to be Cuban and sounding like this:

20th century workshops

Holy blue.

In the French original, were-presented to the incompetent The puppet cop like hes fail his drivers test and crashes into a bakery. In the American version, Fallon busts a drug bust, gets his partner shot, then backs into a corner grocery store while using hand signals? Thatit’s the remakethe biggest problem: if the jokes are nott louder and dumber versions of its French counterpart, so were left with fallon shotss butt in Latifahthe face.

20th century workshops

The one time you should feel bad for a monarch.

Of course, the largely panoramic film did nott stop any attempt to doTaxia thing in the United States (it spawned three other films in France, after all), and in 2014, NBC releasedTaxi Brooklyn, a French-American cop action comedy so bad it doesn’t havet spend its first season.

The computer crowd,
Great Britain

While its creator would later be diagnosed witha shitty terminal case for the brainthe originalcomputer crowddidn’t have a weak link in the acting department. Everyones on point in the British sitcom about an IT department where two out of three people understand computers, and no one understands Matt Berry. Heits universal credibility in nerd culture but is rooted in deadpan British humor which is why casting Joel McHale as the lead in an American version of the sitcom is as bizarre as put beans on toast and call it breakfast.

You may wonder, Wait, how the hell did I miss Joel McHale asking people if they tried turning their computers off and on again? Well, thats because the show was never released. A pilot was filmed and a full series was commissioned by NBC in the mid-2000s, but production was eventually canned because executives weren’tyouto feel it.This pilot then leaked online, and while hes have since been deleted, scattered fragments remain inside the YouTube videos. Here, for example, is the one that synchronized the driveropening with that of the original, proving that McHale is just too slick and smug to play Roy and that Richard Ayoade as Moss would be perfect in any alternate universe:

NBC tried again in 2014, this time with theproducersofCommunity a show that knew how to use McHale before failing a third time in 2018. We don’t know why those last two attempts were bombed, but we bet its because nobody can play Matt Berry like Matt Berry.

Fawlty Towers,
Great Britain

Fawlty Towersistook into considerationthe greatest British sitcom ever made, soIt’s no wonder America’s TV executives would love a piece of that Cornish pie themselves. The stars of the showJohn Cleese of Monty Pythonlike the very nervous and sardonic hotelier Basil Fawlty and his ridiculous life of running his hotel.

Helping Basil along the way is his wife Sybil (Prunella Scales), who herself is a force to be reckoned with as she supports her husband.s sly temperament. The quid pro quo on this point: he supports this hairstyle.

Hea legendary show, which means itsaw athree complete attemptsin an American remake. The 1978Chateau Snowlywas the first, featuringBlazing Saddles‘Harvey Kormanand none other thanbeloved Betty White. But apparently the setting change from a coastal hotel to a highway motel turned out to be his undoing and the production was canceled. Judging, however, by the full pilot whichis available online, wed say it was a little more than that.

Turns out dumbing down the characters and reducing Basil Fawlty to a grumpy, yelling, hand-wavingt translate so well. The chemistry was clearly off with this casting, and White had to wear every scene she was in. Strange, then, that when ABC tried to go for another shot, they switched White with her.futureDaddy’s Girlsco-starBea Arthur and cast Arthur as Fawlty.

Amandaslasted 13 episodesbefore the network called it a day, and no one ever tried another remakehahaha of course they did. Just before the turn of the century, CBS apparently decided that they were the ones doing the impossible. Their version of Fawlty Towers (calledPayne) saw eight episodes air, before the inevitable happened again. (Warning: what youi’m about to watchvery1990s.)

peep show, Great Britain

The critically acclaimed British sitcompeep showfollows two very different and very dysfunctional best friends, Mark and Jeremy (played by the alwaysfunny duet by David Mitchell and Robert Webb), struggling through life and constantly failing at everything. The show uses POV shots and character narration to hilariously portray their perspectives and inner thoughts.

The setup and execution seems fairly easy to replicate just about anywhere, especially since there are no real character or development arcs, and the series plays more like a comedic study. of existentialism. Stillevery attempted remakein the United States seems to go where Mark and Jeremys hopes and dreams are constantly ending: flushed down the toilet. A 2005 pilot attempt with Johnny Galecki(The Big Bang Theory)was shot down, and Spike TV tried to convince the original creators to participate in a remake in 2008, which ultimately didn’t happen.it doesn’t happen.

Starz also tried to give it a shot in 2016, and in 2019 FX gotCommunitywriter Karey Dornetto to get something off the ground. FX is currently trying again, withAtlantawriter Stefani Robinson was to write and produce. If there iss one show on this list that could succeed, itIt’s This one. Apparently it only takes half a dozen times to get it right.

Zanandi is unfortunately still on Twitter.

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