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How will the Oscar-supporting actor handle the Chicago 7 trial?




As Richard lawson writes in his review of Aaron Sorkins new courtroom drama The Chicago 7 trial, In such a talkative play, full of ideology and exposure, the right company of actors is required. The film, which hits Netflix this Friday, is something like a 10-fold actor showcase, giving virtually every member of its massive ensemble a moment to shine or, most often in this film structured around indoor speeches. ‘audience, a monologue of their own. .

It’s an extremely satisfying all-round effort to watch, but if your mind is already on the subject of the Oscars, this presents a puzzle. How do you choose a single actor to lobby for an Oscar campaign? How to avoid that several of them are nominated against each other in the category of supporting actors, and cannibalize their own votes? And if you’re Netflix throwing multiple Oscar contenders at a time when so many big studios have essentially taken the year, that’s a valid concern: what if every nominee in a given category is from a movie you released?

On this week Little Gold Men podcast, Lawson, Katey Rich, and Joanna robinson ask all these big Oscar questions and understand why The Chicago 7 trialan eel-infused story from the Boomer era so invigorating and relevant today. They also discuss a wide range of new movies, all available to watch at home now. Shithouse, winner of this year’s SXSW Grand Jury Prize, is a talkative romance that, as Richard writes in his review, is one of the most charming films of the season, despite having the worst title ever. year. Also on Netflix, Dick Johnson is deada major director of Sundance Hitis Kirsten johnsons cinematic effort to cope with mental decline and the inevitable death of his father, a film that is both more cheerful than it sounds and a lucid look at rare onscreen mortality.

Another documentary, Alex Gibneys Totally under control, is a clear-headed look at something very different: the coronavirus pandemic and how the Trump administration mismanaged it. (It’s now on Hulu.) And finally, there are two film versions of recent Broadway hits: David Byrnes American Utopia, realized by Spike lee and now on HBO, and What the Constitution means to me, realized by Marielle Heller and now on Amazon Prime. With the recent Tony Awards announcement, now is a great time to think about Broadway, which will remain closed until next June at the earliest. If you miss the experience of watching something with a crowd, either of these movies will pick up on that experience.

The episode ends with a conversation with Randi Emmerman and Carol marshall, co-founders of Film Fest 919 in Chapel Hill, North Carolina. Like so many other film festival programmers this year, they weren’t even sure if this year’s event would even happen. But starting this weekend, they’re showing local audiences movies like One night in Miami and MLK / FBI after creative problem solving. They have custom built two outdoor venues in Chapel Hill, in addition to the recently reopened theater where the festival usually takes place. It’s not the usual festival experience, but it’s a sure-fire way to get back to the common cinema experience that many people have lost in recent months. People yearn for the movies, Marshall said. It is comforting. This is the opportunity to step out of your reality. So, I don’t think they’re going to go away in any way. It will take some time to recover.

Listen to this week’s episode above and find Little Gold Men on Apple podcasts or anywhere else you get your podcasts.

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