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Liam Neeson’s Honest Thief is No.1 at the box office as theaters fight

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“Tenet” drops to third place as new openings show he still has life and Halloween covers, especially Tim Burton’s, are all the rage.

After “Tenet”, while the big studios have almost abandoned the theaters, it is the indies who shine a little. They have their choice of screens and an ability to hold them never seen since… well, never. (“Unhinged”: nine weeks and more in the United States) This is not enough to make up for the difference in a market impacted by COVID, but it is enough for the Liam Neeson vehicle of Open Road “Honest Thief Do not take. 1 with $ 3.7 million

Overall revenue continued to grow slowly, with a total of $ 11.8 million in this weekend’s Top 10, the best since “Tenet” second weekend in the United States. The total total appears to be around $ 14 million, again an improvement. (The same weekend in 2019 was $ 138 million.)

Regal, the second largest chain, remains virtually closed. New York State and Seattle are now open; New York, Los Angeles County and San Francisco remain closed. These missing theaters impacted “Honest Thief”, which beat “The War with Grandpa” by a small margin in initial estimates. (Kudos to Open Road for not including a full week of past Canadian recipes in their weekend report, unlike some of their competitors.) With access to all theaters and regions, “Honest Thief” could have been earn $ 7 million.

Since “Taken” in 2008, Liam Neeson has directed nearly a dozen action thrillers in the same vein (including the two sequels to “Taken”), of which “Honest Thief” is the latest. The previous one, “Cold Pursuit” of 2019, was open at $ 11 million. As a very rough guess, projecting $ 7 million as a gross achievable amount would suggest that audience reluctance to go to the movies equates to a 35-40% drop. These are the kind of equations studios consider when determining which titles will be awarded this year. (Seat restrictions have virtually no impact; there are far too few people going to test them.)

“Love and monsters”

Two other new titles appeared in the top 10. “2 Hearts” avoided VOD and attempted to woo young women with its faith-based romantic story and Cuban-American appeal, came to naught with only $ 565,000 in 1,683 theaters. This works out to an average of $ 336 per theater. At least “Love and Monsters” had the excuse of playing PVOD in parallel. It grossed $ 255,000 in 387 theaters.

With reduced competition, the spillovers continued to show smaller declines. “The War with Grandpa” fell 31% on its second weekend, for second place. “Tenet” continued to hold up, down 25% to 3rd place. He was helped by the Seattle openings, where he held five of his top 10 theaters. This suggests that there is still interest in Christopher Nolan’s film and could mean significant new business in other areas that are currently closed.

“Unhinged” and “The New Mutants” (now in its eighth week) continue in the top 10. “Tenet” and now “Unhinged” are the only titles to have grossed more than $ 20 million since theater reopens began. . “Tenet” now represents over $ 50 million domestically and $ 334 million worldwide; the optimistic maximum is $ 400 million.

“The nightmare before Christmas”

Three Halloween-related reissues placed in the top 10. “The Nightmare Before Christmas”, which is # 4, joined Disney’s “Hocus Pocus”. This is Tim Burton’s second rebirth, with “Beetlejuice” also listed. (Warner Bros. hasn’t reported any numbers, but the estimates are below.) Its “Corpse Bride” (Warner Bros.) is # 13. Indeed, 10 of the top 20 grossing movies this weekend are Halloween covers.

The pandemic will continue to inform many decisions and many countries are experiencing a significant resurgence. Upcoming (at the time of writing) are Universal with “Freaky” (November 13) and “Croods: New Age” (November 20). These titles have the benefit of the studio’s limited window AMC tuning. “Wonder Woman 1984” still runs on December 18; the word from Warners sources is that he hopes to stay.

The top ten

1. Honest thief (Open road) Week 2; Last weekend # 7

3,700,000 dollars in 2,425 theaters (+ 2,182); PTA: $ 1,526; Cumulative: $ 4,200,000

2. The war with grandfather (101) Week 2; Last weekend # 1

$ 2,502,000 (-31%) in 2,260 theaters (+10); PTA: $ 1,107; Cumulative: $ 7,256,000

3. Principle (Warner Bros.) Week 7; Last weekend # 2

$ 1,600,000 (-25%) in 2,001 theaters (-214); PTA: $ 800; Cumulative: $ 50,600,000

4. The nightmare before Christmas (Disney) RE-EDITION

$ 1,323,000 in 2,194 theaters; PTA: $ 603; Cumulative: $ 168,300,000 (adjusted)

5. Hocus Pocus (Disney) RE-EDITION; Last weekend # 3

$ 756,000 (-35%) in 1,640 theaters (-660); PTA: $ 461; Cumulative: $ 93,500,000 (adjusted)

6.2 hearts (Freestyle) NEW

$ 565,000 in 1,683 theaters; PTA: $ 336; Cumulative: $ 565,000

7. The new mutants (Disney) Week 8; Last weekend # 4

$ 465,000 (-34%) in 1,293 theaters (-370); PTA: $; Cumulative: $ 22,721,000

8. Unbalanced (Solstice) Week 10; Last weekend # 5

$ 425,000 (-38%) in 1,276 theaters (-332); PTA: $ 364; Cumulative: $ 20,038,000

9. Love and monsters (Paramount) NEW; also on Premium VOD

$ 255,000 in 387 theaters; PTA: $ 659; Cumulative: $ 255,000

10. Beetlejuice (Warner Bros.) RE-RELEASE; Last weekend # 8

$ (est.) 220,000 (-2%) in 315 theaters (-54); PTA: $ 698; Cumulative: $ 178,600,000 (adjusted)

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