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When Sex and the City returns, will it finally get queer people right?

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On Sunday, HBO Max confirmed that a Gender and city restart called And just like that is officially in the official announcement which has inspired fervent speculation among fans and critics. (Notably because the series is, tragically, down a track: Kim cattralls Samantha.) The original series was notoriously candid and often clever, as it followed four friends Samantha, Sarah Jessica Parkers Carrie, Cynthia nixons Miranda, and Kristin daviss Charlottes happily discussing details of their sex lives, dating preferences and personal aspirations. But its ironic, urban tone has aged unevenly. While this approach is well suited for a story about proudly imperfect women, the series has also used it as a cheap excuse to center a very specific point of view: pure wealth, written by straight white women and gay white men.

For those who still watch the original series whenever they have five hours to spare on the couch, it’s not hard to recognize his fake face while enjoying its tenacity and extreme observability. Just like his descendant Girls, SATC Breakthrough even in the most critical millennials that it may be pointless trying to disentangle these characteristics and anyway, it’s just TV, right? Who doesn’t like a high mess?

The news of a reboot, however, invites us to reconsider the tone and ideas of the shows and often, Gender and cityThe jibes took the form of homophobia and transphobia. Throughout the series, Samantha gleefully used a transphobic insult in a search against sex workers; Carrie doubted the validity of bisexual men; in more than one episode, lesbians have been portrayed as exclusively white, wealthy, and power hungry. Stanford (Willie Garson), Carrying a symbolic gay friend, was more of a prop than a person; in the second Gender and city movie, he ended up marrying franchises only with other regular homosexuals, even though her future husband once berated his friend Charlotte for assuming he was even interested in Stanford. (Why, because he’s gay and I’m gay? Mario cantones Anthony asked in season four. Charlotte, let me clarify something for you, I could do a lot better.)

Even when Samantha, the most sexually adventurous of the group, was dating a woman (played by beloved Brazilian actor Snia Braga), Gender and city groped. The show used lesbianism as a narrative device, portraying it as a strategy born out of dating fatigue; the possibility that Samantha is legitimately curious or bisexual has never been explored. The sneaky, self-centered comments from her friends about her new relationship, that Samantha was just in a phase, that she was doing this for attention, weren’t presented as gossip, but as insight.

For those who are not part of queer communities, such a reading may come as a surprise; how could Gender and city make homosexuals so bad? How his openly gay writers Darren star and executive producer Michael patrick kingseriously distorting a group of which they apparently belong?

But it’s old news that white gay men (usually upper class) have a deserved reputation for taking conservative and even sectarian positions about their trans, black, lesbian, or fat brothers, acting as if a mixture of self-hatred and disdain of the Other is a charming personality trait. Consequently, Gender and citys the most reactionary perspectives are never presented as a source of shame for the characters or their acquaintances; they’re still meant as light entertainment. Likewise, heterosexual white women like most Gender and cityWriters can often act as accomplices and avatars of this exclusion. In many ways, Gender and city used the highly stereotypical dynamic of friendship between heterosexual white women and gay men to support decidedly ignorant worldviews.

It’s this age-old blend of gay patriarchy and white supremacy that adds a layer of apprehension to anyone anticipating the revival of HBO’s limited series. Star, now at the head of the popularly watched by hate Emily in Paris, came out, while King, who wrote and directed SATCs critically-criticized but lucrative film sequels are at stake. Star and King worked side by side for years on the original series; in the meantime, King produced the CBS sitcom 2 broken girls, who received criticism of blatant racism. The skill it will take to kick off a reboot that is self-aware without being self-aware requires more than experience or self-help revelations, imagination is essential.

But And just like that will be a fresh creation, firmly existing in the present where, for example, Cynthia Nixon is now married to a woman and mother to a trans child. It is unlikely that she, at least, will sign on And just like that if his scripts were as cavalier on queer issues as the original series so often was. Could retaliation force King to examine how his character’s flaws were often rooted in an anti-queer mindset? Or will the new series simply cover the history of the shows by making Carrie, Miranda, and Charlotte paragons of midlife emotional and moral growth? Maybe, in the end, our fanfiction on a lesbian governor of New York, Miranda Hobbes could come to fruition as a plot that seduces the atoning public Gender and citys past sins.

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