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Morgan Wallen: Dangerous: double album review




Morgan Wallens’ voice can be as abrasive as the bottom liquor he sings. When he auditioned For a short-lived stint on The Voice in 2014, Shakira called the vocal tone of aspiring country singers as manly as it gets, a distinction he then built with an edgy testosterone look that combines cut plaids, a mule and a starting slogan, GAHT, something like a good old boy valley.

Wallens’ raucous side got it first Note in Nashville, but showing her soul on songs like Cover me, a bruised version of a Jason Isbell song, made him a superstar. Even before the release of his second album, Dangerous, the Sneedville, Tennessee native had racked up 3.4 billion streams, including four No.1 country airplay and a notoriously climactic Billboard top 10 by being uninvited from Saturday Night Live after video of Wallen not wearing a mask at a party. Dangerous has 30 songs, two discs and two modes: the Rowdy redneck raising hell in boondocks, and the romantic dream of the downhome of one’s own piece of heaven. Although Wallens’ idea was to divide the album by theme, things aren’t that narrow. Even at his loudest, Wallen is given to soul-searching, and he can make the simplest love song.

Music Row pictures are well worn; Wallen takes a closer look to find a new grain. On 865, he’s a poet laureate of Drunk Despair, approaching drunk numbering with every stroke; on the Thomas rhett co-wrote Whiskeyd My Way, it has the pathos of an injured puppy, approaching love at first sight for the pedal steel. Despite their intimacy, these are songs made to fill football stadiums; Dangerous sole producer Joey Me provides a sparkle that can make Wallens’ music feel as epic as anything from Adele. With its uplifting chorus and oversized guitar solo, Silverado for Sale makes a cool truck love song, as Wallen glassy-eyed realizes his memories are etched in every wrinkle of his bench seat.

Part of what makes Wallens’ writing so magnetic is the simple, idiomatic shorthand that immerses you directly into his world. Take the twist lines of the tongue that open Somebodys Problem, a tender ballad to a free-spirited woman who is part Dangerous best songs: A Bama-red 4Runner pulled into the party / With a 30A sticker on the rear windshield it sings, an image so vivid you can practically smell the gasoline. He has the ear of enigmatic for puns and an enchantment with the everyday that makes dodging potholes in my sunburnt Silverado, as he sings on the opener at the piano Sand in My Boots, looks downright attractive. Wallens, the most successful crossover to date, the Shane McAnally co-write 7 summers, is lit by the pink glow of lost love. Daydreaming is not without teeth: Wallen spells out the two-way lyrics with a stand-up comic book knack for timing. It was seven summers of coca … / And Southern Comfort, he sings, a hook that plays innocently enough for country radio but holds a knowing wink for those who really like to rage.

As Wallens’ audience grew, so did his taste. Dangerous The big, light title track is a maximalist flip of angular pop-art that packed independent Scottish nightclubs in the ’80s, and the booming drums and’ 80s synths of This Bar wouldn’t sound out of place. on Taylor Swifts red. One weak point is Wasted on You, with a mix of trap and guitar twang that isn’t as smooth as the country / hip-hop hybrids of, say, Hunt. But among the 30 track albums, there are few jumps. You might lose the slightly Only Thing Thats Gone formula, which wastes a feature of Chris Stapleton, and the too literal Outlaw. Rowdy Country A $$ Shit riffs on Wallens’ Fun Philosophy 2017 Florida Georgia Line Collaboration Up down but loses its uncontrollable charm.

Wallens’ best songs need less adornment, as with the album bookends Quittin Time and Sand in My Boots, a heart-wrenching children’s confessional that sounds like he’s singing from a church pulpit. Something about the way she kissed me tells me to let go of love in East Tennessee, Wallen sings, as her squeaky voice turns into a howl that could reach the neon moon. The feeling is quite familiar, but when Wallen sings it, it’s enough to make you shiver.

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