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Adarsh ​​Gourav is the highlight of Netflix’s The White Tiger

 


Photo: Rahul Jhangiani / Netflix 2021

It’s late in Bombay, and Adarsh ​​Gourav is tired because he’s in Hollywood hours these days. Still, his eyes are bright and he has a wide, sincere smile, showing very white and somewhat crooked teeth. We were talking on video, but it is always possible to check his energy, a curious cross between vertigo and self-seriousness.

I saw Gourav for the first time ten years ago when I went to see the Bollywood hit My name is khan At the movie theater. It wasn’t often that an Indian film was distributed widely enough in the United States to be shown in my local theater, and maybe that’s why I remember it so vividly; it was a special occasion, a big deal. My name is khan was, I now know, a Bollywood film made for a Hollywood audience, a post 9/11 story of an Indian Muslim man with Asperger’s mistakenly arrested as a suspected terrorist. At the time, Gourav was 15 years old and played a young version of the protagonist. I was the same age and I remember thinking he was handsome.

Now 26 years old and still handsome, Gourav has appeared in a dozen productions, mostly Indian films and shows. And today with Netflix The white tiger, he made his debut in the United States.

Gourav plays Balram, a precocious young man who escapes his impoverished life in rural India by becoming a servant and driver of a wealthy family. Bollywood regular Rajkummar Rao is Ashok, the youngest brother in the family, and Priyanka Chopra Jonas is Pinky, the wife of Ashoks. They are the only members of the brood who do not openly abuse Balram sometimes going so far as to defend him and for that Balram adores them. It is only when they ask him, very kindly, to take the blame for one of their crimes that Balram begins to question his loyalty and plot his revenge.

When Gourav talks about his work on The white tiger, it is with a kind of astonished gratitude. This posture is best illustrated by the Instagram photo he posted his first day on set: In this one, he’s smiling, looking both tense and delighted next to his famous co-stars. The caption reads as follows: 1st reading with the team !.

I don’t know if Gourav watched the movie, but this position is oddly deferential given the more interesting part of a movie which seems, at times, a bit worn out. His Balrams go from a grinning lackey to a ruthless cynic who keeps you watching, an ugly transformation punctuated by moments of hysteria and self-flagellation that might have been cliché were it not for his muscular performance. He surpasses his co-stars, something that Rao and Chopra Jonas said was intentional but feels a bit antithetical to the work of a movie star.

Adarsh ​​Gourav as Balram and Priyanka Chopra Jonas as Pinky in The white tiger.
Photo: Tejinder Singh Khamkha / NETFLIX

The white tiger is adapted from the novel Booker Prizewinning of the same name. It was released in 2008, the same year Questions and answers, another Indian bestseller with a rag-to-rich thread, has been turned into Slumdog Millionaire. Almost all reviewers compare the two films, many of which the anti Slumdog Millionaire but it should be noted that they share many the same weaknesses.

Yet while six of Slumdogs eight Oscars have been awarded to Whites, it is heartwarming to know that while The white tiger receives accolades, they will go mainly to an Indian and Indian casting and team. (A notable exception is executive producer Ava DuVernay.) And it’s also fascinating to see Slumdogs healthy protagonist set aside for one whose morality is questionable, who wins not by honest means but by ruthless ambition; or Slumdogs Jamal ended his story with a stunning little dance number, Balram given us a shrug and a conspiratorial wink.

Adarsh ​​Gourav as Balram in The white tiger.
Photo: Tejinder Singh Khamkha / Netflix

I ask Gourav about Balram now, wondering how he prepared to play a character who lived a life very different from his own affluent upbringing in Jamshedpur, the city he still boasts that Chopra Jonas is from. The son of bankers, he studied finance while doing vocal backing tracks for Hindi films, a concert that led to his first audition.

Indeed, perhaps the only thing he really has in common with Balram is his singing voice. But at the same time The white tiger displays the classically trained tenor of the Gouravs, the real love of actors is metal. He formed his first group in his freshman year of high school, a small affair that he did a lot of yelling and grunting about. A few years later he formed Oak Island, which has a few songs on a MTV show. I ask him what he likes about heavy metal, and he corrects me, noting that his band was progressive metal. I ask him what the difference is. It’s not as heavy as heavy metal, he says.

Adarsh ​​Gourav as Balram, Priyanka Chopra Jonas as Pinky and Rajkummar Rao as Ashok in The white tiger.
Photo: Netflix

And so his transformation into the son of a destitute coal miner was not easy, but Gourav did not take his task lightly either. He spent weeks living in a mining village, an approximation of Balrams, where he fell seriously ill. Once recovered, he went to Delhi to do the dishes at a food stall. Sometimes I got out of it and thought What am I doing here? he says. And then I think not. This is exactly how Balram would have felt when he was in the village working for the owner of the chai-store knowing he was destined for bigger things.

Every now and then he slips into town looking for real drivers, dressed in his starched figures of blue buttons and navy blue pants: I crouch down next to them and smoke a bidi with them and talk about the most random things. Foreigners, mistaking Gourav for the difficult youth he played, asked him for help with various tasks in exchange for a little money. He describes the first time this happened, when a man asked him to move steel pipes for 20 rupees, as a turning point. That moment it hit me now i’m balram.

I found myself talking and walking like Balram for a few weeks after the movie ended, he explains, and when I ask him how he prepared for the climax of the movie in which he commits an act of creepy violence, he transforms into Balram right in front of my eyes. I remembered the systemic injustices I have suffered throughout my life. I remember how Ashok, whom I considered a father figure, a friend, a guide, just turned out to be like everyone else.

I wait for him to notice his Freudian slip. Every character that gives you something and takes something away from you, that’s all it says, it takes time to come back. When he does, I wonder who’s next.



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