On the world stage, Colombian fashion has become well known for its sophisticated use of ancestral hand-crafted techniques, from weaving and embroidery to beadwork. It is not uncommon to see a brightly colored Mochila bag a staple accessory for most Colombians or a typical palm straw hat on international catwalks or worn by prominent celebrities.
With its Spanish colonial mansions draped in bougainvillea and centuries-old cobbled streets, the walled city of Cartagena on the country’s Caribbean coast is an enchanting place to shop for a range of high-quality handmade accessories made by many communities. Colombian artisans.
While we still have a great tradition of artisans who carry on heritage craftsmanship, we also have an amazing new designer school incorporating these techniques into more modern designs, said Cristina Consuegra, co-founder of Galavanta, a local travel agency that organizes personalized shopping experiences, from high-end boutiques to family-owned stores.
It also offers entrepreneurial training and innovation and design labs, and supports communities of craftspeople by purchasing handicrafts that are sold in a global market through its various city stores and shops. online shop.
An introduction to Colombian craftsmanship can be found at its new shop To La Serrezuela, an upscale mall, cultural center, and food court that recently opened in a former arena and theater in the San Diego neighborhood.
The store is stocked with hundreds of handmade accessories, including bags, hats, jewelry, and household items made by over 100 indigenous communities, including the Wayuu in La Guajira, the Arhuacos in Magdalena, and the Kamnts. in Putumayo (prices range from 12,000 to 12 million Colombian pesos; approximately $ 3 to $ 3,060).
Our products come with official seals so you know you are getting the highest quality craftsmanship and that the craftsman has been paid fairly for their work, said Laura Samper Blanco, communications director for Artesanas de Colombia.
In a spacious colonial mansion in the old town you will find St. Judgment a concept store owned by a Colombian, Alex Srour, and his wife of Croatian origin, Maya Memovic, specializing in local designers, many of whom co-create contemporary pieces with indigenous master craftsmen (150,000 to 2.5 million pesos) .
When we opened 10 years ago, there weren’t any other stores like this one, Ms. Memovic said. The locals went to the United States or Europe to shop. Now they proudly wear Colombian fashion.
Customers can purchase the brand’s understated Mochila bags and pouches given (1.1 million to 2.7 million pesos), woven from natural materials like plantain fibers and alpaca from different artisan communities and shaped by the hands of 45 in-house artisans in its Bogot workshop .
We reinterpret ethnic designs with new materials and techniques, only the form and name remain, said Toms Vera, co-owner and designer of Verdis.
Also on offer: handbags with vibrant appliques from Mola Sasa (from 890,000 pesos); Michu bags colored pouches made of fique, a fiber similar to hemp (from 750,000 pesos); and elegant Women’s hats (from 400,000 pesos). The boutique also offers two brands recognized for their long-term collaborations with various groups of indigenous artisans: Johanna ortiz (600,000 to 2.2 million pesos) and Mercedes salazar, of which shop is down the street.
As a designer, I feel it’s my responsibility to keep these ancient techniques alive, Ms. Salazar said. Some of her latest collections feature jewelry and home accessories in palma de iraca made with 200 artisans from Usiacur and brightly hued chaquira bead jewelry made with the Ember people in Choc (150,000-799,000 pesos ).
Working with these communities has helped me discover who I am as a designer through my roots, she said. The exchange is a constant source of creative inspiration.
One of Colombia’s most recognized fashion designers, Silvia cherassi, has been working with Indigenous communities for over a decade.
Their techniques, use of materials and rich symbolism make their work completely transcendent, she said. There is so much magic, meaning and pride behind every weave, every stitch.
In her shop near the Plaza de Santa Teresa, visitors will find handmade designer bags created with the Wayuu, Usiacur and Malambo communities (from 600,000 pesos) as well as half-couture evening dresses made with luxurious European fabrics (from 6 million pesos). I find this juxtaposition unique and fascinating, she says.
Other Old Town shops with a similar merger include Holy, with hand-woven hats and bags alongside minimalist linen garments (from 75,200 pesos), and Chiqui House, whose owner, Chiqui de Echavarra, designs a line of handcrafted jewelry and accessories (215,000 to 1.2 million pesos).
A few blocks from Plaza Santo Domingo, The Craftsmen Center is a treasure trove of handmade items, from Wayuu tote bags to Werregue house décor and soon-to-be-debut pet necklaces, which its manager, Mara Elena Rangel, sources from indigenous communities in the country (20,000 to 6 million pesos).
Through the Guazuma Foundation, it also offers professional workshops to native weavers and organizes in-store demonstrations where artisans present the making of their loom.
Each piece is a work of art with its own pattern, color scheme and shape, Ms. Rangel explained: Creating a single Mochila bag can take anywhere from a few days to several weeks.
These ancestral traditions are part of our cultural identity, we must support and protect them, she said.
Nilma Hoyos Racero recently opened the latest iteration of Nilma Hoyos Artesanal in Getsemani, a district south-east of the old town. His pocket shop is full of iconic bags of all shapes and sizes (30,000 to 650,000 pesos). For the past 15 years, Ms. Hoyos Racero has worked closely with the Wayuu people.
Wayuu women weave their lives into every design: family badges, beliefs, dreams and the natural landscapes that surround them, she said. Weaving has been compared to meditation, where the energy of the creator is incorporated into the composition and transmitted to whoever uses it.
These women are not machines, they are the keepers of ancestral knowledge and they deserve a good price for their work, she said.
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