The musician collaborates with director Matvey Fiks and screenwriter, lyricist and Yorgos Lanthimos collaborator Efthymis Filippou in this absurd race through an Athenian chess club.
Fashion
Larry Guss Kerkis (Judas Tree) plays games
Larry Gus, the stage name of musician Panagiotis Melidisis, is stressed out. He is in a dark room filled with clunky computers, his eyes fixed on a particular screen that displays an electronic chess game. Neither player has moved. [RETRACTABLE PEN CLICKING] The purple italic Helvetica subtitles match the pensive click of Gus as he presses a pen button. He raises the pen to his mouth, as if thinking hard about something. Cue the melody of Kerkis (the Judas tree), a synthesized tune like those on carnival carousels or ice cream trucks. The computer screen he’s been watching replaces his chess game with an animated screensaver of a floating green branch with purple flowers growing on it—the Judas tree. The melody repeats. Suddenly we’re in the Panellinio chess club in Athens, rather than the mysterious room full of computers, watching Gus sing what seems to be an ode to the digital plant on his computer screen, though he’s now watching real people play chess. He loops a tiny synthesizer and walks out of frame.
The video for Guss Kerkis (Judas Tree) then follows the artists' antics over an impressive three-minute take. Dancing in the chess club, he tries in vain to attract the attention of the three couples absorbed in their games. To achieve such a lengthy feat for Kerkis, Gus worked with New York director Matvey Fiks and screenwriter Efthymis Filippoua, the key creative mind behind Yorgos Lanthimoss Dog tooth, LobsterAnd The killing of a sacred deeron cinematic and auditory execution. The video also includes a reference to the famous director: the lyrics describe the transfer of a Judas tree (You are looking for a forest) from Athens to the island of Hydra, and its planting in the Lanthimoss garden next to the plants of the century (Agave americana), said Filippou. Nobody knows if this plant is still alive and in what condition it is.
But the plant is alive in Gus, who accepts his fate of being ignored within the club. He is neither here nor there, he is not taking an interest in the three chess games around him, but he is playing his own melody very loudly; he is not playing electronic chess alone, but he is having fun.
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