Donald Trump ‹Literary hub

There is an ongoing crisis in the publishing of books. I mean, there are many, but business consolidation is a threat to anyone cares about books. When there are fewer publishers, large and small, there are fewer jobs, fewer opportunities for new voices to burst, fewer places where writers can be fed throughout their career and fewer places ready to take risks on ideas that divergent from the dominant current.

Now, I look at the small artistic organizations that have managed to survive in the face of a new struggle after the National Endowment for the Arts sent emails at 10 p.m. Friday evening by announcing that a majority of AEA subsidies have been cut. Small publishers like Transit Books, Deep Vellum, Milkweed Editions, Feminist Press and a variety of university presses were affected by the Aen cuts, as well as literary magazines like N + 1, Mcsweeneys, The Paris Review, One Story, Zyzzyva and Electric Lit. Consequently, four employees of Nea in the literary arts have resigned. It is difficult not to see these cuts to the arts as a new descent into fascism for America. And then this overwhelming feeling strikes once again.

I wrote a lot about being a type 1 diabetic that looked with horror other American diabetics died for lack of access to insulin, but it is repeated. I was dismayed to examine Gofundme in 2017 and to see how many people could not afford their survival medicines due to the ever -increasing prices of large pharmaceutical companies, even if the insulin certificate was sold 1 $ 1. I always felt immense guilt that I could not alone help all people in difficulty, even if I know that it was a systemic problem that an individual, or even some individuals, could not solve. This moment feels the same thing. I need insulin to live. But I also need books and culture.

We need independent presses and literary magazines for a flourishing literary ecosystem.

In 2015, I worked at Kickstarter in literary awareness and I helped McSweeneys launch his campaign to collect $ 150,000. The campaign was more than successful and it was wonderful, but I quickly realized that the unique gifts only go so far. They can reverse you from a crisis (and it is indeed a crisis) but subscriptions and subsidies are the key to long -term sustainability. If government subsidies have almost disappeared, how to create an environment where literary culture can still prosper? We cannot start a crowdfunding campaign for all the presses affected, then hope for the best. Of course, we can start ordering books and magazines from affected pressures (I started a wire here), but what else?

One of the things we do at the Center for the Art of Translation is to give everyone on the staff $ 150 to identify a favorite press or two affected by these recent NEA layoffs to buy books or to donate to these publishers, explains Michael Holtmann, president of the Center for the Art of Translation | Two lines Press. Holtmann also underlines that there are things that individuals can do that do not imply spending money: you can register for a newsletter like a demonstration of support, you can call beloved books that you already have on social networks, you can talk to friends and parents on the pressures funded by Nea that most mean you. And you can absolutely contact your Congress members to remind them that literary arts are a crucial element of American cultural and economic life.

Mark Krotov, publisher and co-publisher of N + 1, offers another solution beyond the obvious actions that individuals can take: something that I noticed at least at N + 1, how difficult it has become to convince publishers to advertise print or even online if a publisher reads this and wonder how they can support magazines captured in the Trump administration, I would recommend to assess their advertising budgets! “”

Business publishers always complain that the money is tight, then spends eight figures for an advance for a James Patterson and Mr. Beast Collab. Krotovs presents the Big Five (and beyond) to announce their books in literary magazines resembles a victory for readers and publishers. It is not a final solution, but it is the one that does not imply readers who repressed themselves desperately for an additional change so that their favorite publications can survive. And perhaps such advertising can help a very trendy audience in the enlightened audience to discover new books.

It is a dark period in America when culture of all kinds is devalued and thrown away. We need independent presses and literary magazines for an Florivor, even by making an Oktaltorarian outing ecosystem (we also need local libraries and independent bookstores). We need this healthy ecosystem because literature is its own type of life, and we cannot leave a vampiric and wise government by riches managed by monsters and idiots keep it away. So sales of PRH announcements, if you read this, maybe withdraw an ad or two?

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