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Metroid Dread Review-The Best 2D Metroid

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Metroid Dread is worth reviving one of Nintendo’s more respected franchises. It plays great and is hard to put on. Dread has also gained the status of the legendary Metroid 5 as a continuation of the story that began with Metroid in the Nintendo Entertainment System in 1987. Metroid Dread puts together a story decades ago and at the same time reestablishes Samus Aran as one of the coolest characters. Galaxy. And while it makes this an entry not to be missed by believers, it should also change new fans who have never played Metroid before.

Metroid Dread can be purchased on the Nintendo Switch for $ 60. Metroid: Samus Returns developer Mercury Steam is back. And I learned a lot of lessons from the 3DS remake. And now, thanks to these efforts, Metroid Dread is one of the best games of the year.

The moment I pick up the controller is fun. It’s thanks to its excellent precision control and movement. You start with Samus, who feels good when running and jumping, but she can also slide under the overhang and jump off the wall. This makes exploration and combat exciting and dynamic from the first minute.

But even if it starts powerfully, Mercury Steam builds on that foundation with power-ups, boss battles, characterizations, and powerful storybeats. This creates a scenario where a good game slowly and steadily turns into a great game in 7-9 hours. In the end, I was desperate to see the conclusions, but I was sad about the time it took for the game to end.

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Above: Samus is cool.

Samus Aran is a mountain of horrific violence

I personally never come to Metroid for stories or stories. Sometimes I like the world building I found while scanning objects in Metroid Prime games, but like Metroid: other Ms, plots usually have a negative impact on my enjoyment.

But Metroid Dread, like Samus Aran, is cool, gathered, and confident when it comes to telling the story. Actions seamlessly give way to cutscenes throughout the game, but are usually sparse and always provide points. The point may be to convey basic information about the stake. But more often than not, the point is to establish that Samus Aran is the toughest bastard everyone in the game has ever encountered.

And its characterization is very well done. Mercury Steam uses body language to make a big difference. Boss battles are a good example of this. Even if the enemy is larger than the screen, Samus casually joins the battle, charging the cannon on his arm hanging sideways. She seems to be flexing, but her natural state always seems to be crooked.

It’s not saying that Samus is an emotionless or blank wall. She is better than anyone else, and she knows it. She behaved as if she had experienced this all the time, and orthodoxly she did.

She’s so strong and quiet that when she frustrates or makes promises to other characters, those moments grab the player’s neck.

Above: The EMMI is trying to catch these hands.

It appears as more unfriendly than it really is

Metroid Dread is difficult, or at least that’s what you want to think about. In other words, recognition of difficulty serves its purpose. Mercury Steam wants players to feel lonely and isolated. And one way to achieve that is to throw you into a relentless environment that shows few places to go next.

But in reality, Metroid Dread is more forgiving than it looks. Enemies are challenging until you learn their patterns. One boss was destroyed twice, and the third time he knew the pattern well, so he defeated him without hitting it. All enemies are like that. It’s similar to punching out or fighting in Dark Souls.

Above: It should be difficult to wipe.

You also intend to get lost, but you probably aren’t. If you don’t know where to go by looking at the map, just press and hold and you won’t know where to go.

In a sense, the game is almost straightforward and if you come across an elevator or teleporter, you have to go through it. The game is trying to move you forward. And I almost want to play the game for that, but it rewards you for exploring the beaten path by allowing you to unlock certain abilities early. It may be given.

Dread also has a very tolerant auto-save system. Usually, the boss battle resumes just outside the room. The same is true for encounters with EMMI robots. The EMMI robot will hunt you down and kill you as soon as you catch it. I didn’t want to frustrate the game during these reloads. This is a game achievement.

Beautiful and detailed world

I love the look of Metroid Dread. It surprised me because the original release at E3 wasn’t very impressive. Also, I usually don’t like 3D art for 2D games. However, Metroid Dread does show its strengths.

Thanks to her 3D model, Samus is very expressive in her animation. Whether she’s running or aiming, she always looks fluid and cool.

Dreads also have a very detailed background and environment. And because they are physical objects, they appear to be part of the world. These background objects may also interact with the playfield.

When it comes to sound, Samus’ weapons and flora and fauna are excellent. This creates an immersive feeling. It’s a pity that music is almost forgotten. The franchise has some great soundtracks, but Metroid Dread doesn’t add anything to its playlists.

Above: The game environment is diverse and complex and detailed.

Metroid Dread is a candidate game of the year

I’m still shining from time with Metroid Dread. Once you’ve written this, you’ll continue to play until it’s 100% complete. It does what the links between the world did for Zelda, for Metroid. This is the best play version of a long-loved franchise. And like that 3DS Zelda, I think it’s perfect for its Super Nintendo counterpart, the Super Metroid.

Its playability, which matches the Mercury Steam that Samus Aran is doing right, has made me even more a fan of Metroid. Even beyond the context of my own affinity for characters and the world, Metroid Dread is some of the most fun I had in the game in 2021. It’s a candidate for this year’s game.

Metroid Dread can be purchased on the Nintendo Switch for $ 60. Nintendo sent a GamesBeat copy of the game for review, but Jeff Grubb bought the copy he used for the purposes of this story.

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