How craftsmen wear in Japan and Jima Al -Nuri after the earthquake

When Susan Ross, an English-born craftsmanship that is based on the Japanese Peninsula of Nuto, began her 40-year-old career in making a traditional Japanese Arocran spirits, which was repeatedly said that men can only make Wajima-Nuri. To create Wajima-Nuri, one of the oldest LacquerWare forms in Japan, one must be carefully applied Urushi (lacquer made from tree juices) to the Say, a bowl, or a platter-dry, then repeat the process of dozens of times. This technique, born in Wajima, adopts wood flexibility and durability of the final products. It also depends on the continuation and perseverance of its practitioners, such as Ross. After decades of refining her craft and developing her business, she never stumbled-until a year ago, when she opened the land in Wajima Studio under its feet.

On January 1, 2024, the Nuto Peninsula in the Japanese province of Ishikawa was wounded with an earthquake of 7.6. More than 400 died and thousands of buildings were destroyed, including studios and homes of many craftsmen in Wajima-Nuri, thus displaying the future of centuries craft. Ross is one of the thousands of Noto population who have since moved to Kanazawa, the capital of Ishikawa. Kanazawa's attractiveness is among those who were affected by the Noto earthquake not only its proximity to the peninsula, but also its support for the preachers and craftsmen. The city offers the displaced-Wajima artists, silk painters, Kimono makers, and more-who were forced to move to Kanazawa's subsidies of up to 500,000 (about 3300 dollars) to create new studios, there is no necessity. Ross says her immediate instinct after the earthquake was to leave Japan, but it finally ended, thanks to the support offered by the city, that it will remain and rebuild its work in Kanazawa.

The Japanese craft of Japanese table tools was born in Wajima-Nuri (in the photo) in Wajima, a city destroyed during the deadly Noto earthquake.

Kanazawa's visit

In addition to the support of 500,000 yen, the city also abdicated the fees and sales committees for craftsmen who display it in Jinza La Kanazawa, an art gallery in Tokyo, and they included the names of craftsmen for free in the city's catalog on the Internet (artists usually pay fees). The Kanazawa city government has also collected sample tracks that include local tourism experiences, from tea ceremonies to silk dyeing workshops, and donated part of revenues from reservations to Noto recovery. The city also organizes commercial events, including support for the Noto Craft exhibition held at Kanazawa Station in November 2024, where Noto craftsmen worked at Wajima-Nuri, Suzu-Yaki Pottery and textiles together to sell their products.

At the head of the letter exhibition, Koichi OFUJI, a active artist Wajima-Nuri who was the first to receive a subsidy in the city. The money allowed OFUJI to open the Urushi no Sato offi exhibition in the northern part of Kanazawa, which also works as a operating base for the reconstruction efforts in the Noto Peninsula. He persuaded the craftsmen for other displaced to join him, saying: “We will do a great business in Kanazawa. Just look.” The exhibition displays the products that survived the earthquake, as well as the housing of the craftsmen who lost their homes and workshops, so that they can continue to make and sell. This feeling of dignity is important for Offuji: stores all over Japan have offered the purchase of his old goods, but he refused, saying that he wanted to receive orders for new pieces, rather than compassion.

The Japanese city of Kanazawa is a historical center of many creative traditions, such as silky drawing and making Kimono (as we have seen here), and is recognized by UNESCO as a city of crafts and folk art.

Kanazawa's visit

Kanazawa's support is guided by the literal Noto heritage on a long history of the cultivation of arts in times of turmoil. It dates back to the sixteenth century, when the samurai princes in the area turned an arms factory into a handicraft workshop to satisfy the ruling Shogonet and maintain peace that is obtained in the hardest. In November 2023, a report issued by NIKKEI, a Japanese news organization, decided that among the major Japanese cities, Kanazawa spends the largest number of individual in art and culture projects (3,034.50 ¥, or nearly 20 dollars, for each resident: 1.6 times more than Toyoka, in Osaka contemporary, second place).

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