British TV workers exposed to illegal or barely legal situations and shocking content | television

Illegal or unlawful business practices are rife in the UK TV industry, new research has found.

Workers responsible for post-production work, including editors, designers, and special effects artists, are regularly paid less than minimum wage and subjected to unacceptable conditions, including spending hours in dark, unventilated rooms and being exposed to shocking content without warning. Experiencing the environment.

A report by the TV Industry Human Rights Forum, led by independent human rights expert Amelia Knott, says the industry's current slowdown in commissioning is worsening the problem as workloads are reduced and anxiety is rising. The report said workers felt unable to cope with harsh conditions and were expected to do more with less.

One editor said in the report that he received 800 offers for projects that would take two to three weeks, at most eight hours per hour.

Another interviewee recalled working 21 hours straight to handle customer fixes, while another said she worked unpaid weekends to meet tight deadlines. “Everyone works more than 15 hours a day,” said one worker. It's a two-person job. The report states that when planning and budgeting a TV show, the time needed to complete post-production is often underestimated, and even if filming is overrun or the commissioner approves footage late, post-production is still expected to meet the original deadline. It was revealed.

Sound editor Emma Butt, who was a post-production consultant on the study, said of the commissioner: They don't realize the impact their decisions have on post-production workers. She added that commissioners can take immediate action to improve post-production schedules and should also take action on issues of exposure to disturbing content.

While producers of TV shows depicting topics such as murder, sexual assault and suicide typically receive advance warning that the content may be shocking, post-production workers say these protections are not extended to them.

Butt worked on a project that depicted suicide and was very similar to an event he had experienced.

I was given this job, deadlines were tight, there was no option to not do this because the payments were unstable and unrealistic deadlines were given, and no mental health support was provided. she said She suggests you could add a watermark to the beginning of the episode detailing the offending topic, and provide the post-production team with a script in advance.

The study included interviews with 28 post-production staff and analysis of existing data, and was carried out in partnership with the Film and TV Charity.

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Marcus Ryder, CEO of the charity, said: “We are seeing the impact of poor working conditions and practices on individuals in terms of serious mental health impacts, financial instability and wider impacts on industry diversity.

We urge all film and television media organizations to review their working practices in relation to post-production and the working practices of their third-party suppliers, and encourage them to take action on the report's recommendations.

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