The horror comedy “Freaky” was repeated as the winner of a seriously moderate US box office with $ 1.2 million at 2,057 locations in North America over the weekend Friday through Sunday.
The Universal and Blumhouse Productions movie stars Vince Vaughn as a serial killer and Kathryn Newton as a low-key high school student who inadvertently changes her body on Friday 13. “Freaky” took in $ 5.6 million in its first 10 days amid the reluctance of many moviegoers to return to multiplexes until a COVID-19 vaccine is available.
Universal noted Sunday that the theatrical box office continues to be weakened due to a noticeable reduction in the number of theaters in North America, as the national theatrical footprint shrank to around 2,800 open venues from 3,400. last weekend.
The performance of “Freaky” contrasts sharply with the same weekend a year ago, when Disney launched “Frozen II” with $ 130 million and overall activity in North America totaled $ 206 million, according to Comscore.
“With the virus continuing to surge this fall, another round of lockdowns and curfews are impacting theaters on a regional basis,” said Shawn Robbins, chief analyst at Box Office Pro. “Activity is down sharply compared to last weekend due to temporary shutdowns, even for films that have turned out to be quite good in recent months. While the encouraging vaccine news on the horizon remains a light at the end of the tunnel for the industry, this weekend’s box office drop is an expected reminder of the stamina that will be needed to get through a season of holidays and winter very difficult. . “
101 Studios’ seventh Comedy Weekend, “The War With Grandpa,” ended in second place with $ 737,067 on 1,688 sites. The Robert De Niro vehicle made $ 16.2 million after 45 days in theaters.
Focus Features’ “Let Him Go” thriller, starring Kevin Costner and Diane Lane, followed in third with $ 710,000 at 1,907 sites. The film, set in Montana in the 1960s, grossed $ 7.9 million in its first 17 days.
The fourth weekend of Focus horror film “Come Play” came in fourth with $ 510,000 across 1,364 screens. After three weeks in theaters, the film grossed $ 8 million.
Disney’s reissue of its 1994 holiday drama “Santa Claus” grossed $ 481,000 at 1,581 sites for fifth. Starring Tim Allen, the film originally grossed $ 190 million at the global box office.
The seventh Open Road weekend of Liam Neeson’s action thriller “Honest Thief” followed in sixth place with $ 452,000 in 1,254 locations. The film’s 45-day total reached $ 13 million.
The Gravitas Ventures launch of Jackie Chan’s action-adventure “Vanguard” showed little multiplex traction with $ 400,000 in 1,375 theaters. “Vanguard” was released in China on September 30 and grossed nearly $ 44 million in that market.
TriStar Pictures’ R-rated war drama “The Last Vermeer” started with $ 225.00 from 912 locations. Guy Pearce plays the role of an art forger who swindles millions of dollars from the Nazis by forging paintings by Johannes Vermeer.
Warner Bros. ‘ Christopher Nolan’s 12th Weekend Thriller “Tenet” grossed $ 360,000 at 864 sites to bring its three-month national total to $ 56.9 million. “Tenet” is the only Hollywood tentpole film released in North American theaters since the pandemic began in March. The film, which is priced at $ 200 million, has performed much better in international markets and is set to exceed $ 300 million internationally this week.
The relatively modest domestic performance of “Tenet” prompted other studios to delay opening other big titles or move them to high-end video on demand. With the expectation that the domestic theater market will remain depressed for the foreseeable future, Warner Bros. announced on November 18 that its superhero sequel “Wonder Woman 1984” would debut on the HBO Max streaming service on December 25, the same day. open in American theaters. Starring Gal Gadot, the film will be released a week earlier in international theaters, including in China.
A single national broadcast is scheduled for the coming Thanksgiving weekend with the launch of Universal “The Croods: A New Age” on November 25. Paul Dergarabedian, senior media analyst at Comscore, said overall activity will be lukewarm in the coming weeks with only about 40% of North American sites open.
“With the ever smaller number of open rooms available, the industry is heading towards a very fallow holiday market which will of course have to contend with a fast headwind that will require a lot of heavy work by a very limited number of titles. high profile that remain on the theatrical release schedule, ”he said.
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