Taylor Swift and Donald Trump jostle for July 4th weekend

As he desperately left Charlestown one spring night in 1775, warning nearly every house of a British invasion, Paul Revere did not shout “The British are coming” indiscriminately as he went. Such a cry would have betrayed him in a region teeming with loyalists, and his mission depended on secrecy. Instead, Revere muttered a warning in a low voice, house to house, and more along the lines of “The regulars are coming out,” referring to the dominant British army.

By the time he arrived in Lexington around midnight, entire towns knew of the advance and sent dozens of their horsemen to warn others.

Another icon known for midnights made his appeal known Friday evening, also in a low voice. It brought less news of war and more peace, love and at least one rendition of “I Wanna Hold Your Hand.”

Taylor Swift, the second most famous American woman, celebrated the most important moment of her life as the country commemorated the most important of them all, with the two seemingly in conversation precisely because they weren’t talking much. “Speak now,” the pastor said, but she’s not the kind of girl to rudely barge in on an Independence Day occasion. Yet Swift’s closed-door gathering with all tight-lipped Americans, along with CMA head Adam Aron, could only mark a patriotic celebration — the country’s most enduring cultural product declaring its independence, after at least two decades of singlehood, and singing about wedding day fantasies, as the clock ticked toward the Fourth of July. At midnight.

Amid a coterie of pop icons and media entertainers, models and social influencers, Hollywood celebrities and Nashville singers, the Regulars certainly weren’t going out, unless you count the people lining up and courting on 31st Street and across Seventh Avenue, behind the barricades. But it was still a sort of British-style nobility that the MSG had constituted.

A certain irony accompanied calling the Swift-Kelce union a “royal wedding,” as many media outlets did, on a day marking liberation from such hegemonic madness. Yet, watching the festivities from behind its tall tarpaulins, one couldn’t help but think that perhaps there was some truth to the name and that we had indeed swapped one form of monarchical submission for another: the fiat of kings for the reign of celebrity, the deference of the throne to the sway of pop singers – the infallible authority of those entitled to the infallible aura made possible by charted singles. Where these bargains lead us remains up for debate.

As the drone photo of the New York skyline revealed itself at midnight, there she was, Lady Liberty, and there she was, the other woman, the one in the stands, occupying the same frame as the Empire State Building, tonight lit in blue to honor the girl who loved was red the night she wore white, the sheen of Miss Americana as bright as the copper one. One if by land, two if by sea. And now, another signal, this time in purple, coming from a beacon above Madison Square Garden.

While such lights of independence shone, the most famous American felt excluded. Seeing the allusion, via ampersand, to whoever bit his pride over MSG, his social media team staged a reversal with their own cue. “Trump is your president,” his version of the purple sign said, attempting to reclaim a throne long destined to be eliminated.

Over the previous 24 hours, on He even appropriated Swift’s Eras Tour moniker, “It Takes Time.” The Regulars, once again, were not.

The next night, Trump would attempt to intrude on the pantheon with a speech on the National Mall, serenading the assembled crowds even as Mother Nature tried to send them home. This follows a few weeks in which Trump’s vision of a 250th anniversary celebration continued to be defeated by those he sought to command, first by Bret Michaels, then later by algae. After so many losses that he was tired of losing, Trump tried to avoid defeat like Maj. Gen. Benjamin Lincoln did during the Siege of Charleston, with roughly the same level of success.

He spoke with great fanfare about American capabilities, joined by the crew of Artemis II and a flag flown by the Wright brothers. “There is no challenge that Americans cannot overcome. There is no place that we cannot go. There is no goal that we cannot achieve. And there is nothing that Americans cannot do.”

President Donald Trump speaks on the National Mall on July 4, 2026

He spoke grandly about American principles, accompanied by World War II veterans and one of the first black officers to lead a special forces team in Vietnam. “Our founders not only won our freedom, they secured it with the fairest political document ever conceived… After 250 years, unlike so many others in the world, in this country we have freedom of speech, freedom of religion, equal justice under the law.” But after painting a blue sky, he came back and turned it into rain. “Even though I wasn’t treated very well,” he added, a sort of miniature reconstruction of his Eras messages, the course of history inevitably giving way to Donald Trump.

Then he played some of his familiar hits — “You Won’t Have to Cheat in Elections Anymore,” as he supported Save America’s voter ID bill, and “Communism Is a Loser, and It Always Will Be,” the record spinning groove he can never escape the way Stevie Nicks can never escape “Landslide.” We don’t know if she actually performed this hit on stage with Taylor Swift, just like we don’t know why Donald Trump would play a song that would age so poorly: Will anyone at an upcoming birthday remember the Save America Act or why Donald Trump was talking about it? Yet the tunes still emanated from the stage.

Of course, neither her speech nor, for that matter, Swift’s show were designed for the future. They were intended for the present moment, for the concept of the instant – for the belief that a moment counts, that it is the present, that a person counts in it, and that it is the one who speaks. So it is with the themes of all of Swift’s songs and all of Trump’s rants, if one were to distill them down to their atoms. And unlike the Founders, no personality had, and has never had, as much eye on society as he did on himself, nor an idea of ​​how it will be regarded in the future as much as a concentration on what he feels at the moment. Have two famous American figures ever been as constantly attuned to their emotional temperature as Donald Trump and Taylor Swift? Have two people in America ever become so famous for constantly taking this temperature?

All this has resulted in a very incongruous Independence Day, normally aimed at the general public and looking to the future – designed to transcend the cult of personality that holds the present hostage. After all, the principles of the Declaration of Independence, signed on July 4, were intended to “provide[ing] new guards for future security” with an attempt “to absolve all allegiance to the British crown,” or indeed any other.

Yet, 250 years later, the nation built on that Declaration was dominated by two peoples, entirely differentiated by their temperament, their generation, their perspectives and, therefore there is no ambiguity, by their capacity to harm politicians, but united in the belief of a spectacle which would serve them, which commanded the worship of their crown – both, indeed, chosen by the people, but giving the feeling, at various times and to varying degrees, of an unwanted yoke.

On this Fourth of July weekend, Trump was as public and pleading as Swift was demure and devious. Still, the similarities seemed hard to ignore, with everyone seeking attention with such an important venue, a weekend intended for the right of the people transformed into the power of one person. The two characters may hate each other, but they also have more in common than they would like to admit, with a modus operandi that submits to a belief in showmanship, with the centrality of personality over the primacy of principle.

This extends to their subscribers as well. MAGA and Swifties couldn’t be more different, and yet in some ways they are indistinguishable: pandering to a leader who brings out the unwavering loyalist in them, even in a country that prefers a patriot; who sees someone who can act or not do harm even in a place that rejects infallibility; this suggests a monarch with the direct object of establishing a tyranny over these states.

Both movements led to a weekend that too often strayed from principle and substance toward celebrity and worship. This was not America as the Founders intended it. But perhaps it was the one she inevitably deserved.

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